I am very excited that I've been invited to exhibit (and sell, of course, hehe) my art at the Ned Smith Center for Nature and Art 17th Annual Nature and Arts Festival in Millersburg, PA! (Only about 40 minutes from Harrisburg!)
None other than the Mothman himself wandered into my booth at the Patriot News Artsfest a couple of weekends ago and overheard me talking to a friend about the caterpillar painting I'm currently working on. Naturally hearing "caterpillars" his ears perked up, and when he introduced himself as someone whose life has been amongst moths MY ears perked up.
I was so excited to ask him all about moths, and he was so excited to tell me all about the Nature and Arts festival. It's just a one day show on July 31st, but it sounded like a lot of fun and is very close to where I live.
Since we've started the house-hunting process, there is a chance that that weekend could be pretty busy or hectic, depending on when we find a house and when our move will take place. Since it's just one day, and hopefully my husband and I do a better job than last time of getting all our sh#t packed up on time, I could probably free myself up that day regardless.
I'm pretty excited about the show and have a swarm of ideas buzzing around in my head of some drawings (and paintings) I might like to try and get done in time for this show specifically... we'll see. I've spent a couple hours today on the caterpillar paintings and hope I'll be able to get the leaves all finished, and then I can start the milkweed flowers and finally finish up with the stars of the painting.... the caterpillars themselves!!
Sunday, June 13, 2010
Ned Smith Center Nature and Arts Festival!
Thursday, June 10, 2010
Am I Sabotaging Myself?
You are always hearing, "Follow your dreams and they will come true" and "hard work pays off." Seems simple enough. If I want to make a living as an artist- the kind that paints and draws, not the kind I currently am that sits behind a computer and does boring stuff (but at least doesn't totally suck at it and once in a while does get an opportunity to inject a teeny, tiny bit of creative flair), all I have to do is keep my dreams at the forefront (dream = make enough selling art to pay the bills and I'm not talking platinum diamond encrusted toilet seats here) and then work hard to achieve said dreams.
Seems like a realistic formula for success, no?
Yet I think I might be sabotaging it. I do.
I'm not sure why. Maybe because if I keep the job I have now, and continue to work for the man rather than myself, there's sooooo much less pressure. I know what's expected of me. I get up and do my work for X amount of hours and then I go on a website and log my hours and I get a paycheck every 2 weeks.
If I go into business for myself, it's alllllllll up to me. I will have to constantly actively look for opportunities and take the ones that let me have a chance. And maybe even out of those, only a couple will be successful. Art shows for example. I may apply to many. I may get into a few. I may make a profit at ONE.
Not such good odds when going into business.
Right now I'm Eric Cartman. Someone wants a picture done in light, mellow colors and I scream, "Wha-Evah! Wha-EVAH!! ...I do what I WANT!" I paint what I want when I want how I want. I will keep painting in bright, obnoxious colors because that's what I do. Once in a while if there is an ungodly demand for a certain subject matter (like poppies or sunflowers), I will paint it, even if it doesn't particularly interest me.
If I want to be successful, I'll probably at least have to start out doing paintings of things other people like. Like lighthouses and boats and barns. I have been avoiding that for as long as possible and will continue to do so until I am about to go bankrupt. I am not THAT much of a whore.
I am scared to death of the phone and email. I'm not one of those people that (in business matters) composes a simple email, quickly checks for spelling/grammar errors and sends it away. No, I sit there and analyze each and every sentence. Do I sound mean? Do I sound demanding? I am neither of those things, and have had some pretty bad experiences through letters and art associations in the past (I was on the receiving end) and the last thing I want is any sort of miscommunication. So I put off emailing people (art-related) almost indefinitely.
I am scared.
At art shows I have this terrible habit of "how bout you call me." It's awful, I know. If someone is interested in a certain size print that I don't have available, instead of taking an order and giving them a price and taking a deposit and then fulfilling said order (which is the easiest part), I give them a business card and sometimes write on the card what it was they wanted, to remind them, and then ask them to email me and we can work out the details of the order. UGH, DUMBASS!!! That is NOT the way it's done! Why have I not learned by now!
(Answer: Because I'm so unsure of myself that I'm absolutely positive that if I take the order and deposit, by the time I get home, I'll have received a phone call or email saying the customer changed his or her mind and wishes to cancel the order and get their deposit back because my art isn't worth it. OR even worse I'll forget to do it and then the person is pissed and thinking I ripped them off, which technically I would have not totally not on purpose, I am human. I am SO scared of that happening! But of course I'd go out of my way to rush the stuff to them as soon as possible...)
So I'm putting it all out there.... some of you who read this are artists. Do you find yourself sabotaging your efforts, too?
I am scared of failure.
I'm scared of trying really hard to do something I love and then finding out... it won't work.
I'm scared of investing more money into this business since it takes money to make money, and coming up short, and not carrying my fair share of the load since my dear husband already makes way more than I do, and no matter what job I'm doing I won't ever even come close. But I would like to contribute a significant amount of money to the household rather than just wasting time and money on a hobby.
I'm scared of someone buying an expensive piece of my art and getting it home and changing their mind and having to face rejection.... because that would be way worse than someone just not wanting it in the first place.
I am scared if I DO become successful, my art might actually be in demand (a little) and I won't be able to fulfill someone's order quickly enough, leaving them disappointed in me.
Or that I'll get an order for a few prints and that day my printer will decide to blow its load on my last few remaining sheets of sugar cane paper and I will have to order more paper and then when the paper comes the print heads have dried out and now I have to do 45 head cleanings and go through a bunch of ink that I don't have so then I have to order that too and wait for it to come and 2 weeks later I finally might get to make one print.
Seems like a realistic formula for success, no?
Yet I think I might be sabotaging it. I do.
I'm not sure why. Maybe because if I keep the job I have now, and continue to work for the man rather than myself, there's sooooo much less pressure. I know what's expected of me. I get up and do my work for X amount of hours and then I go on a website and log my hours and I get a paycheck every 2 weeks.
If I go into business for myself, it's alllllllll up to me. I will have to constantly actively look for opportunities and take the ones that let me have a chance. And maybe even out of those, only a couple will be successful. Art shows for example. I may apply to many. I may get into a few. I may make a profit at ONE.
Not such good odds when going into business.
Right now I'm Eric Cartman. Someone wants a picture done in light, mellow colors and I scream, "Wha-Evah! Wha-EVAH!! ...I do what I WANT!" I paint what I want when I want how I want. I will keep painting in bright, obnoxious colors because that's what I do. Once in a while if there is an ungodly demand for a certain subject matter (like poppies or sunflowers), I will paint it, even if it doesn't particularly interest me.
If I want to be successful, I'll probably at least have to start out doing paintings of things other people like. Like lighthouses and boats and barns. I have been avoiding that for as long as possible and will continue to do so until I am about to go bankrupt. I am not THAT much of a whore.
I am scared to death of the phone and email. I'm not one of those people that (in business matters) composes a simple email, quickly checks for spelling/grammar errors and sends it away. No, I sit there and analyze each and every sentence. Do I sound mean? Do I sound demanding? I am neither of those things, and have had some pretty bad experiences through letters and art associations in the past (I was on the receiving end) and the last thing I want is any sort of miscommunication. So I put off emailing people (art-related) almost indefinitely.
I am scared.
At art shows I have this terrible habit of "how bout you call me." It's awful, I know. If someone is interested in a certain size print that I don't have available, instead of taking an order and giving them a price and taking a deposit and then fulfilling said order (which is the easiest part), I give them a business card and sometimes write on the card what it was they wanted, to remind them, and then ask them to email me and we can work out the details of the order. UGH, DUMBASS!!! That is NOT the way it's done! Why have I not learned by now!
(Answer: Because I'm so unsure of myself that I'm absolutely positive that if I take the order and deposit, by the time I get home, I'll have received a phone call or email saying the customer changed his or her mind and wishes to cancel the order and get their deposit back because my art isn't worth it. OR even worse I'll forget to do it and then the person is pissed and thinking I ripped them off, which technically I would have not totally not on purpose, I am human. I am SO scared of that happening! But of course I'd go out of my way to rush the stuff to them as soon as possible...)
So I'm putting it all out there.... some of you who read this are artists. Do you find yourself sabotaging your efforts, too?
I am scared of failure.
I'm scared of trying really hard to do something I love and then finding out... it won't work.
I'm scared of investing more money into this business since it takes money to make money, and coming up short, and not carrying my fair share of the load since my dear husband already makes way more than I do, and no matter what job I'm doing I won't ever even come close. But I would like to contribute a significant amount of money to the household rather than just wasting time and money on a hobby.
I'm scared of someone buying an expensive piece of my art and getting it home and changing their mind and having to face rejection.... because that would be way worse than someone just not wanting it in the first place.
I am scared if I DO become successful, my art might actually be in demand (a little) and I won't be able to fulfill someone's order quickly enough, leaving them disappointed in me.
Or that I'll get an order for a few prints and that day my printer will decide to blow its load on my last few remaining sheets of sugar cane paper and I will have to order more paper and then when the paper comes the print heads have dried out and now I have to do 45 head cleanings and go through a bunch of ink that I don't have so then I have to order that too and wait for it to come and 2 weeks later I finally might get to make one print.
Thursday, June 3, 2010
Where Is My Mind?
(that's the name of a pretty cool Pixies song by the way.)
If you're following my blog, you probably noticed I haven't been posting as much lately since I was spending soooo much of my time training for a triathlon. My first one has come and gone (and I had a blast) and I'm doing another one on Saturday, but by now I've sort of settled into the routine of being able to do at least one activity (swimming, biking, or running, some strength training) daily and also finding ways to squeeze in a normal life as well (working, dog walking, cooking and eating like a normal person, preparing for a move in a couple months, etc.)
But where's the art?
That seems to be the one aspect that's been difficult to fit in.
I mean, it's there. In my head. It always is! I even started a few new little paintings a month ago. (Or maybe more, I don't know, but I blogged about it.) And then this past weekend I had my first art show of the year, which reminded me how much I do like creating art and I found a lot of inspiration looking at all the other artists' wonderful work and meeting new people who seem to enjoy mine.
So I've got ideas and I like creating art-- jump in! Hop to it!
Unfortunately for about 12 hours a day, the inside of my head looks something like this:

This is..... when I'm working. When I'm walking the dog. When I'm watching TV (due to certain current living arrangements there will be less of that). When I'm driving. When I'm taking a shower. When I'm eating cereal. When I'm working. When I'm having my coffee. When I'm in the grocery store looking at all the beautiful colorful produce. When I'm working.
Did I mention when I'm working??? Staring at a computer for a lot of the day thinking about what I'd rather be doing.
I guess by the time I actually HAVE time for the art, I've been thinking about it so much it already feels like I've been doing it, so it's a little hard to get motivated.
And when I have a million+ things on my mind related to the art, sometimes it's tough to know where to begin!!!
I should lay this mental mess out in an organized list.
We all just loooove lists, don't we?? We have our list for groceries, errands we need to run, bills we need to pay. Sometimes our lists have sub-lists. And... sometimes we lose our list and aimlessly mill around WalMart like a zombie, walking soooooo sloooooowly right in the middle of the damn aisle, taking up the entire walkway, completely oblivious to those around us... We forgot we just went in for toothpaste and envelopes and end up walking out out somehow having spent $159.74.
And no toothpaste or envelopes.
WTF!
But here's how the list should look, if I did lay it all out. Somehow.
- Enter receipts into tax document
- Enter receipts and income from gallery & art show into business spreadsheet
- Contact the nice people who were interested in ordering some of my work at the art show
- Start the commission piece a friend (who I don't get to see too often) requested from me a while ago (he said there was no hurry)
- Start the commission piece a friend asked me to do for his or her spouse's upcoming birthday
- Start the piece I've been wanting to do as a gift for a friend
- Take the recycling to the drop-off center, or at least down to the garage, since it's taking up a ton of room in the office/studio
- Finish painting some of those bug boxes I was creating
- Finish painting the frames I salvaged from my mom's house
- Fill said frames
- List some of the bug boxes and little framed art on Etsy, open my store again.
- Finish my caterpillars triptych!
- Scan in my sunflowers painting
- After I figure out which bug(s) I'm going to put on it, and where- I'm thinking a lady bug and/or a grasshopper?
- Make prints of the sunflowers painting
- Go to Staples and restock on cards, I'm sold out of like half my designs
- Drop off my old computer monitor at Staples for donation
- Restock my ink and order more mats
- Order some of ProPanels' hanging hooks so I don't have to damage my panels anymore
- Frame some more of my original 30 bugs in 30 days
And of course, ideas for new art:
- Leaves with white or very pale blue backgrounds
- Hibiscus
- More butterfly drawings....
Ummm. As you can see, not only does this list require a lot of time, but also money. Which I don't have. Or maybe I do, but I don't want to spend it. I know it takes money to make money, and if I'm ever going to be successful with my art I need to take it seriously which includes occasional investments in it. Plus I shouldn't feel guilty about ordering a few things that I NEED because my family gave me $ for my birthday last year to order art-show-display-stuff and guess what? I never ordered it. But now that I'm working less, I have a lot of guilt about spending money if I don't need something, which is another reason a lot of the art stuff has slid to the back burner.
It's so hard finding a balance!
If you're following my blog, you probably noticed I haven't been posting as much lately since I was spending soooo much of my time training for a triathlon. My first one has come and gone (and I had a blast) and I'm doing another one on Saturday, but by now I've sort of settled into the routine of being able to do at least one activity (swimming, biking, or running, some strength training) daily and also finding ways to squeeze in a normal life as well (working, dog walking, cooking and eating like a normal person, preparing for a move in a couple months, etc.)
But where's the art?
That seems to be the one aspect that's been difficult to fit in.
I mean, it's there. In my head. It always is! I even started a few new little paintings a month ago. (Or maybe more, I don't know, but I blogged about it.) And then this past weekend I had my first art show of the year, which reminded me how much I do like creating art and I found a lot of inspiration looking at all the other artists' wonderful work and meeting new people who seem to enjoy mine.
So I've got ideas and I like creating art-- jump in! Hop to it!
Unfortunately for about 12 hours a day, the inside of my head looks something like this:

This is..... when I'm working. When I'm walking the dog. When I'm watching TV (due to certain current living arrangements there will be less of that). When I'm driving. When I'm taking a shower. When I'm eating cereal. When I'm working. When I'm having my coffee. When I'm in the grocery store looking at all the beautiful colorful produce. When I'm working.
Did I mention when I'm working??? Staring at a computer for a lot of the day thinking about what I'd rather be doing.
I guess by the time I actually HAVE time for the art, I've been thinking about it so much it already feels like I've been doing it, so it's a little hard to get motivated.
And when I have a million+ things on my mind related to the art, sometimes it's tough to know where to begin!!!
I should lay this mental mess out in an organized list.
We all just loooove lists, don't we?? We have our list for groceries, errands we need to run, bills we need to pay. Sometimes our lists have sub-lists. And... sometimes we lose our list and aimlessly mill around WalMart like a zombie, walking soooooo sloooooowly right in the middle of the damn aisle, taking up the entire walkway, completely oblivious to those around us... We forgot we just went in for toothpaste and envelopes and end up walking out out somehow having spent $159.74.
And no toothpaste or envelopes.
WTF!
But here's how the list should look, if I did lay it all out. Somehow.
- Enter receipts into tax document
- Enter receipts and income from gallery & art show into business spreadsheet
- Contact the nice people who were interested in ordering some of my work at the art show
- Start the commission piece a friend (who I don't get to see too often) requested from me a while ago (he said there was no hurry)
- Start the commission piece a friend asked me to do for his or her spouse's upcoming birthday
- Start the piece I've been wanting to do as a gift for a friend
- Take the recycling to the drop-off center, or at least down to the garage, since it's taking up a ton of room in the office/studio
- Finish painting some of those bug boxes I was creating
- Finish painting the frames I salvaged from my mom's house
- Fill said frames
- List some of the bug boxes and little framed art on Etsy, open my store again.
- Finish my caterpillars triptych!
- Scan in my sunflowers painting
- After I figure out which bug(s) I'm going to put on it, and where- I'm thinking a lady bug and/or a grasshopper?
- Make prints of the sunflowers painting
- Go to Staples and restock on cards, I'm sold out of like half my designs
- Drop off my old computer monitor at Staples for donation
- Restock my ink and order more mats
- Order some of ProPanels' hanging hooks so I don't have to damage my panels anymore
- Frame some more of my original 30 bugs in 30 days
And of course, ideas for new art:
- Leaves with white or very pale blue backgrounds
- Hibiscus
- More butterfly drawings....
Ummm. As you can see, not only does this list require a lot of time, but also money. Which I don't have. Or maybe I do, but I don't want to spend it. I know it takes money to make money, and if I'm ever going to be successful with my art I need to take it seriously which includes occasional investments in it. Plus I shouldn't feel guilty about ordering a few things that I NEED because my family gave me $ for my birthday last year to order art-show-display-stuff and guess what? I never ordered it. But now that I'm working less, I have a lot of guilt about spending money if I don't need something, which is another reason a lot of the art stuff has slid to the back burner.
It's so hard finding a balance!
Tuesday, June 1, 2010
Patriot-News Artsfest review, sorta
Artsfest this weekend was a lot of fun and definitely a worthwhile show! It was really nice not to have to rent a car or hotel room for the weekend to do the show either, since it's about 10 blocks away. I also got some really cool news on Saturday morning, related to my art, but I have to scan in an image before I can post it.
This post is mainly a review of my experience at this year's Patriot News Artsfest here in Harrisburg. It's as much for other readers as for myself, since I'd like to write up my mental notes while they're still fresh in my mind.... I've already been saying the show went well enough that I'll apply to do this show again next year if I can find a friend to stay up here with (since by then I'll be living down in DC and admittedly still don't make enough at *most* shows to cover hotel expenses).
This show was in Riverfront Park, same as Kipona (but further north, I believe). It was much much better for me than Kipona in that I made up my show fees (jury fee, booth fee, bathroom pass WTF fee) the first day. The 2nd day wasn't as great and the 3rd day (Monday, Memorial day) was by far the worst. Which was funny because a lot of artists had been saying Monday was supposed to be the best day! I didn't have high expectations, thank goodness.
At this show it seemed like the patrons were mostly interested in the smaller inexpensive items. I didn't sell any of my 11"x14" matted to 16"x20" prints. I didn't really see anyone carrying around bags with BIG art in them until Monday, when they must've had a chance to see everything they wanted to see and make their final decisions on what to take home. New for this show I made little 5"x7" prints of my "30 Bugs in 30 Days" ACEOs with colored borders. People really seemed to like those, I sold a whole bunch! I also sold a lot of greeting cards (they are 5"x7" and as so they can be framed, they just aren't archival) and mousepads (they're made from recycled tire rubber). Things for me to keep in mind next year- I don't need to go crazy making inventory of my bigger prints.
There was a dinner for the artists on Sunday night which was super, super, super nice of them. I've only been to one other show that did that- Portsmouth's Seawall Show. At both shows my husband and I got to sit and eat with other artists, all of whom were extreeeeemely nice. Have I ever mentioned before that 99.999% of the artists at these shows are some of the nicest people you'll ever meet? I stand firmly behind that statement :)
This was also the first year they've charged admission to the show. (Hooray! I say.) I heard from many artists who had done the show before, and some volunteers, that attendance was way, waaaayyy down from other years- likely because of the new fee. However, I also heard multiple patrons walking by saying things like "If I had to pay to come in here, I HAVE to walk out with something to make up for it!" I'm not sure I get that logic... but as a vendor, I didn't mind that mentality. I'm not sure how many people think that way- if you pay a fee to get into an art show or something like that, would you be sure to bring home something to make sure it was worth your money to get in?
One weird thing about this show was the bathroom situation. On Saturday morning some folks pulling a wagon with beverages in it walked by yelling, "Orange juice? Water? Coffee? Bathroom passes?"
Of course since I can't just pop a squat and go to the bathroom in the corner of my tent, my ears perked up. I hadn't thought to look for bathrooms but I had seen port-a-potties a block or so away from my booth and just assumed those were for everyone. After asking a couple of the other artists and volunteers at the show, I was enlightened: The outhouses were available to us artists, but there were people who would 'man' them and keep them [relatively] clean and pump soap into your hands for you and give you paper towels at the handwashing station. And of course they do it for tips. Ok... fine, whatever. Also a church, a block away in the opposite direction of the outhouses, was selling bathroom passes for use of their bathrooms. They had two bathrooms, each one was private, it was [relatively] air-conditioned and clean and... well... private and clean. Bathroom passes from the church cost $10 (for the 3 day weekend) and the money went to the church. I'm not a church person at all but cleanliness + privacy > outhouse every single time, so I went for that option. Plus I figured after tipping the folks at the outhouses, I would've easily gone through $10 by the end of the weekend anyway. I have to say though, it was a little bit of a shock to not have bathrooms just provided to the artists as part of our booth fee, since we had to pay $300+ for a spot. I've never been to a show where bathrooms weren't provided for the artists. (Then again at other art shows, food isn't provided, water isn't provided, a place to sleep and shower isn't provided, so why should I assume bathrooms would be?) I'd almost rather pay an extra $10 or $20 for my booth that would go directly to whoever is providing bathrooms/keeping them clean, just to not have to worry about figuring out the bathroom situation when I'm there or making sure I have a dollar on me every time. Maybe I'll invest in a chamber pot and not have to worry about this again.
The other slight inconvenience of this show (that is completely unpreventable and no fault of the show, just something to keep in mind if you're an artist considering it) is that it's friggin DUSTY. I wasn't even on the side of the park where the grass/dirt is (but I did have the back of my tent open on the last day) and my stuff is still covered in dust. I remember things being really dusty after Kipona, but I was also right in the middle of dirt and dust where everyone was walking. This year I was on the street. I thought about dusting things off for the last hour of the show on Monday, before pack up time, but that wouldn't have done any good because the most dust is kicked up by the artists ourselves as we pack everything up- kicking heavy containers around, shaking out our tents and tent walls, fluffing out packing materials, etc. My car is still loaded full of my crap and I plan to dust everything off before putting it away in the garage! Not saying at all that this is anything bad about the show, just something in my mental notes that I need to make sure I remember for next year.
This post is mainly a review of my experience at this year's Patriot News Artsfest here in Harrisburg. It's as much for other readers as for myself, since I'd like to write up my mental notes while they're still fresh in my mind.... I've already been saying the show went well enough that I'll apply to do this show again next year if I can find a friend to stay up here with (since by then I'll be living down in DC and admittedly still don't make enough at *most* shows to cover hotel expenses).
This show was in Riverfront Park, same as Kipona (but further north, I believe). It was much much better for me than Kipona in that I made up my show fees (jury fee, booth fee, bathroom pass WTF fee) the first day. The 2nd day wasn't as great and the 3rd day (Monday, Memorial day) was by far the worst. Which was funny because a lot of artists had been saying Monday was supposed to be the best day! I didn't have high expectations, thank goodness.
At this show it seemed like the patrons were mostly interested in the smaller inexpensive items. I didn't sell any of my 11"x14" matted to 16"x20" prints. I didn't really see anyone carrying around bags with BIG art in them until Monday, when they must've had a chance to see everything they wanted to see and make their final decisions on what to take home. New for this show I made little 5"x7" prints of my "30 Bugs in 30 Days" ACEOs with colored borders. People really seemed to like those, I sold a whole bunch! I also sold a lot of greeting cards (they are 5"x7" and as so they can be framed, they just aren't archival) and mousepads (they're made from recycled tire rubber). Things for me to keep in mind next year- I don't need to go crazy making inventory of my bigger prints.
There was a dinner for the artists on Sunday night which was super, super, super nice of them. I've only been to one other show that did that- Portsmouth's Seawall Show. At both shows my husband and I got to sit and eat with other artists, all of whom were extreeeeemely nice. Have I ever mentioned before that 99.999% of the artists at these shows are some of the nicest people you'll ever meet? I stand firmly behind that statement :)
This was also the first year they've charged admission to the show. (Hooray! I say.) I heard from many artists who had done the show before, and some volunteers, that attendance was way, waaaayyy down from other years- likely because of the new fee. However, I also heard multiple patrons walking by saying things like "If I had to pay to come in here, I HAVE to walk out with something to make up for it!" I'm not sure I get that logic... but as a vendor, I didn't mind that mentality. I'm not sure how many people think that way- if you pay a fee to get into an art show or something like that, would you be sure to bring home something to make sure it was worth your money to get in?
One weird thing about this show was the bathroom situation. On Saturday morning some folks pulling a wagon with beverages in it walked by yelling, "Orange juice? Water? Coffee? Bathroom passes?"
Of course since I can't just pop a squat and go to the bathroom in the corner of my tent, my ears perked up. I hadn't thought to look for bathrooms but I had seen port-a-potties a block or so away from my booth and just assumed those were for everyone. After asking a couple of the other artists and volunteers at the show, I was enlightened: The outhouses were available to us artists, but there were people who would 'man' them and keep them [relatively] clean and pump soap into your hands for you and give you paper towels at the handwashing station. And of course they do it for tips. Ok... fine, whatever. Also a church, a block away in the opposite direction of the outhouses, was selling bathroom passes for use of their bathrooms. They had two bathrooms, each one was private, it was [relatively] air-conditioned and clean and... well... private and clean. Bathroom passes from the church cost $10 (for the 3 day weekend) and the money went to the church. I'm not a church person at all but cleanliness + privacy > outhouse every single time, so I went for that option. Plus I figured after tipping the folks at the outhouses, I would've easily gone through $10 by the end of the weekend anyway. I have to say though, it was a little bit of a shock to not have bathrooms just provided to the artists as part of our booth fee, since we had to pay $300+ for a spot. I've never been to a show where bathrooms weren't provided for the artists. (Then again at other art shows, food isn't provided, water isn't provided, a place to sleep and shower isn't provided, so why should I assume bathrooms would be?) I'd almost rather pay an extra $10 or $20 for my booth that would go directly to whoever is providing bathrooms/keeping them clean, just to not have to worry about figuring out the bathroom situation when I'm there or making sure I have a dollar on me every time. Maybe I'll invest in a chamber pot and not have to worry about this again.
The other slight inconvenience of this show (that is completely unpreventable and no fault of the show, just something to keep in mind if you're an artist considering it) is that it's friggin DUSTY. I wasn't even on the side of the park where the grass/dirt is (but I did have the back of my tent open on the last day) and my stuff is still covered in dust. I remember things being really dusty after Kipona, but I was also right in the middle of dirt and dust where everyone was walking. This year I was on the street. I thought about dusting things off for the last hour of the show on Monday, before pack up time, but that wouldn't have done any good because the most dust is kicked up by the artists ourselves as we pack everything up- kicking heavy containers around, shaking out our tents and tent walls, fluffing out packing materials, etc. My car is still loaded full of my crap and I plan to dust everything off before putting it away in the garage! Not saying at all that this is anything bad about the show, just something in my mental notes that I need to make sure I remember for next year.
Friday, May 28, 2010
Ford Transit Connect: WANT
My first art show of 2010 hasn't even started yet... But the bitching and moaning about the difficulty of cramming as much stuff into my tiny RX8 as I can, versus the cost of renting something bigger for the weekend, started yesterday.

I keep seeing these on the road and
WANT,
WANT,
WAAAAAAANT!!!
You can read about it here:
http://www.theautochannel.com/news/2010/02/21/466585.html
I think it's the mostest adorablest solution to my problems! I've rented station wagons and SUVs before and they just DON'T fit everything. Or, if they do, I can't see out of the vehicle, so I wouldn't exactly call that a solution. Once I rented a Dodge Caravan. That van fit everything and it RULED. I really liked driving it, but it was sooo big and I just can't imagine driving something like that all of the time.
I thought a taller (versus longer, like a van) vehicle would be perfect and from what this article claims, the Ford Transit Connect is just for that. A small commercial-type vehicle with lots of room and minimal crap all over the place. Seriously it's like my DREAM ART SHOW MODE OF TRANSPORTATION.
Maybe some rental car companies will have these available soon...
Maybe I can rent one next time I have to transport my art stuff to a show far from home...
Maybe if I decide to ever take the plunge and try to do this for a living I'll cave and buy one.
But right now I don't sell enough art to justify the cost.... which would mean.....
Good bye RX8.

I'm just not ready for that.
"It's the car I've always wanted, and now I have it. I rule!"
a quote from my favorite scene in American Beauty... Check it out :)
So until the RX8 poops out on me completely, or some dillhole who fails to comprehend that the yield sign coming into downtown Harrisburg does, indeed, apply to him (or her) and finally hits me (cause it happens almost daily), the Transit must wait.

I keep seeing these on the road and
WANT,
WANT,
WAAAAAAANT!!!
You can read about it here:
http://www.theautochannel.com/news/2010/02/21/466585.html
I think it's the mostest adorablest solution to my problems! I've rented station wagons and SUVs before and they just DON'T fit everything. Or, if they do, I can't see out of the vehicle, so I wouldn't exactly call that a solution. Once I rented a Dodge Caravan. That van fit everything and it RULED. I really liked driving it, but it was sooo big and I just can't imagine driving something like that all of the time.
I thought a taller (versus longer, like a van) vehicle would be perfect and from what this article claims, the Ford Transit Connect is just for that. A small commercial-type vehicle with lots of room and minimal crap all over the place. Seriously it's like my DREAM ART SHOW MODE OF TRANSPORTATION.
Maybe some rental car companies will have these available soon...
Maybe I can rent one next time I have to transport my art stuff to a show far from home...
Maybe if I decide to ever take the plunge and try to do this for a living I'll cave and buy one.
But right now I don't sell enough art to justify the cost.... which would mean.....
Good bye RX8.
I'm just not ready for that.
"It's the car I've always wanted, and now I have it. I rule!"
a quote from my favorite scene in American Beauty... Check it out :)
So until the RX8 poops out on me completely, or some dillhole who fails to comprehend that the yield sign coming into downtown Harrisburg does, indeed, apply to him (or her) and finally hits me (cause it happens almost daily), the Transit must wait.
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